Now Reading:

Establishment triumphs at the European Film Awards


Establishment triumphs at the European Film Awards

In partnership with

The great and the good of the European film industry flocked to Berlin for the 28th European Film Awards.

As well as a celebration of the continents varied cinematic talent there were calls for European unity in the face of economic unease and the rise of populist politics.

Film director Wim Wenders is the President of the EFA:
“Europe is under growing stress politics is looking to tear us apart. European cinema show how we can unite. That is the mission of European cinema.’‘

Michael Caine received an Honorary Award and picked up the best actor prize for his role in Paolo Sorrentino’s comedy ‘Youth,’ Caine said being natural is the key to humour on film:
‘‘In cinema you mustn’t try to be funny you have to be very real because you have to be a real person who does something funny not a comedian who tries to be funny.’‘

Sorrentino won Best Film and Best Director for ‘Youth.’

For Michael Caine a good film is based on collaboration: ‘‘It’s is about team work and that’s what we were.. A wonderful team because every single actor in this film was fabulous.’‘

Charlotte Rampling received a lifetime achievement award and the best actress gong for ’45 Years’ she plays opposite Tom Courtnety
as a marriage falls apart.

The comedy award went to the hysterical and bizarre
‘A Pigeon Sat on a Branch Reflecting on Existence’ by Swedish director Roy Andersson

“I am a happy man that I am a funny man. It’s worthwhile this prize. I got a Golden Lion in Venice. it shows another side of my work.”

The European Discovery award went to ‘Mustang’ a first by Turkish director Deniz Gamze Ergüven.

The multi-award winning film follows five orphaned sisters as they grow up in a remote, conservative Turkish village.

Director Deniz Gamze Ergüven explained her motivation: ‘‘It is told like in the manner of a story, which then uses poetry to move away from reality, its an emotional response to a certain type of social reality.’‘

For double Oscar winner Christoph Waltz, it is diversity which is key to European cinema:

“Fortunately there is no overall European cinema – sometimes its connected artificially to get financing, but its never has a real identity, because in the end we are all proud to be European, but in the end we are all children of our own cultural background.”

Waltz was handed the prize for European Achievement in World Cinema.

Euronews arts correspondent Wolfgang Spindler reports from Berlin: “This years winners of the main awards belong to established talent of European cinema.
The younger generation of filmmakers and actors had to take a back seat while the European Film Awards went elsewhere.’‘

Next Article