The 40th edition of the Goya Awards consecrated 'Los domingos' as the film of the year. Alauda Ruiz de Azúa's movie won five main awards, including best director. Sirat' and 'Sorda' also shone in a gala marked by political protests.
This year's Goya Awards marked a significant, and perhaps, seismic shift for Basque cinema as films from the region collected the most coveted prizes.
Los domingos, Alauda Ruiz de Azúa's drama about a teenager who is considering joining a cloistered convent, won best film, direction, original screenplay, leading actress and supporting actress. A sweep that left little room for the rest.
Patricia López Arnaiz picked up her second best Actress Goya for her role as the progressive Aunt Maite: "I have the feeling that she already existed inside me," she said of her character.
Nagore Aramburu, in the role of the mother superior, won the best supporting actress award.
José Ramón Soroiz's lead role in Maspalomas, completed the triumph of the performers from the north by winning the best actor prize for giving life to a septuagenarian homosexual who returns to the wardrobe after suffering a stroke. "May all the Vicentes of the world be very happy," he said on picking up the award.
Ruiz de Azúa is the fourth woman to win the Goya for best director, after Icíar Bollaín, Isabel Coixet and Pilar Miró, a fact she recognised when she collected the prize.
Sirat' and 'Sorda', the night's other big winners
With six technical statuettes, photography, editing, sound, soundtrack, art direction and production direction, 'Sirat', by Oliver Laxe, was the most awarded film in terms of the total number of Goyas, although it failed to pick up any of the major categories.
The sound team, made up entirely of women and with an Oscar nomination in their pocket, seized the moment: "We hope this is the beginning of a real change in parity behind the scenes".
Sorda, by Eva Libertad, was the other surprise of the evening with three awards: new director, new actress for Miriam Garlo, the first deaf actress to win a Goya, and supporting actor for Álvaro Cervantes.
Garlo shared the award "with all deaf women" and defended accessible cinema. Cervantes, for his part, used his speech to introduce a concept he had learned while filming: "This film taught me a word: capacitism".
The Goya for best documentary went to Albert Serra and his 'Tardes de soledad', a portrait of bullfighting, while the best song went to 'Flores para Antonio', which Alba Flores dedicated to her father amidst the emotion of the audience.
A gala with an eye on the world
The presenters, Luis Tosar and Rigoberta Bandini, kicked off the ceremony by recalling Spanish cinema's tradition of taking a stand against violence, from ETA to Gaza. The image of the watermelon stickers on the red carpet and several combative speeches set the political tone of the evening.
Susan Sarandon, this year's recipient of the International Goya, called for "action". Belén Fonzsi, winner of the best Ibero-American film award for Belén, issued a warning to the Argentinean public about the far-right. And Gonzalo Suárez, Goya of Honour, told a story with veiled allusions to Trump to defend cinema as "the last redoubt for daydreaming".
Among the most emotional moments, Belén Aguilera and Dani Fernández performed 'Si te vas', by Robe Iniesta, during the tribute to the year's deceased. The music, with performances by Ana Mena and La Casa Azul, and the opening with Tosar and Bandini singing Serrat provided the festive counterpoint to a gala that, in its 40th edition, was as much a celebration as a statement.
List of all the winners of the Goya Awards 2026
BEST FILM
'Los domingos' (Sundays)
BEST DIRECTOR
Alauda Ruiz de Azúa, for 'Los domingos' (Sundays)
BEST ACTOR IN A LEADING ROLE
Jose Ramón Soroiz, for 'Maspalomas' (Maspalomas)
BEST ACTRESS IN A LEADING ROLE
Patricia López Arnaiz, for 'Los Domingos'.
BEST SUPPORTING ACTRESS
Nagore Aramburu, for 'Los domingos'.
BEST SUPPORTING ACTOR
Álvaro Cervantes, for 'Sorda'.
BEST NEWCOMER ACTRESS
Miriam Garlo, for 'Sorda' (Deaf)
BEST NEWCOMER ACTOR
Antonio "Toni" Fernández Gabarre, for 'Ciudad sin sueño'.
BEST NEW DIRECTOR
Eva Libertad, for 'Sorda
BEST ORIGINAL SCRIPT
Alauda Ruiz de Azúa, for 'Los domingos'.
BEST ADAPTED SCREENPLAY
Joaquín Oristrell, Manuel Gómez Pereira and Yolanda García Serrano, for 'La cena'.
BEST ORIGINAL MUSIC
Kangding Ray, for 'Sirât'.
BEST ORIGINAL SONG
"Flores para Antonio", by Alba Flores and Silvia Pérez Cruz, for 'Flores para Antonio'.
BEST PRODUCTION DIRECTION
Oriol Maymó, for 'Sirât'.
BEST DIRECTION OF PHOTOGRAPHY
Mauro Herce, 'Sirât'.
BEST EDITING
Cristóbal Fernández, 'Sirât'.
BEST ART DIRECTION
Sirât
BEST HAIR AND MAKE-UP
'El cautivo' (The Captive)
BEST COSTUME DESIGN
Helena Sanchis, 'La cena' (The Dinner)
BEST SOUND
Sirât' (Sirât)
BEST SPECIAL EFFECTS
'Los tigres' (The tigers)
BEST ANIMATED FILM
'Decorado' (Decorated)
BEST DOCUMENTARY FILM
Tardes de soledad' (Afternoons of Loneliness)
BEST IBERO-AMERICAN FILM
Belén' (Argentina)
BEST EUROPEAN FILM
Sentimental Courage' (Norway)
BEST FICTION SHORT FILM
Dead Angle
BEST DOCUMENTARY SHORT FILM
'El santo' (Spain)
BEST ANIMATED SHORT FILM
Gilbert
INTERNATIONAL GOYA
Susan Sarandon