Skip to main content
06/09/12 12:36 CET
Sitting Pretty: rising South African star Yende revels in Don Pasquale role25/06 19:02
The musical journey of Pretty Yende25/06 19:01
Cecilia Bartoli as Gluck’s tragic heroine11/06 19:01
A unique collaboration: Cecilia Bartoli and her duo of directors11/06 19:00
From The International New York Times’ Center stage: Teatro alla Scala11/06 16:31
Stravinsky’s ‘Rake’s Progress’: a beautiful, tragic fall from grace at NY’ Met Opera28/05 19:01
NY Met’s Young Artist Program – heaven for upcoming opera stars28/05 19:00
Opolais brings passion and poise to “Eugene Onegin”14/05 19:01
A poetic journey with “Ciboulette” at the Opéra Comique in Paris30/04 19:01
What is life? Music and science combine in “Interplay” in Stockholm to offer answers16/04 19:01
Don Giovanni: Schrott shines as Monte Carlo is seduced by Mozart’s complex hero02/04 19:01
Yuja Wang wows Vienna with Prokofiev’s concerto No. 219/03 19:00
Gatti and the Vienna Philharmonic triumph with Brahms’ symphonies in Athens05/03 19:00
Placido Domingo enlightens in dark Macbeth19/02 19:01
Bonus interview: Plácido Domingo19/02 19:00
William Tell at Monte-Carlo Opera: the universal appeal of Rossini’s masterpiece05/02 19:02
Giordano’s French Revolution drama returns to London’s Royal Opera House22/01 19:01
Getting to know Sir Tony and “the world’s greatest tenor”22/01 19:00
New Year’s Concert at La Fenice: a spectacular showcase08/01 19:01
Flick of the wrist: competition gives budding conductors a chance to shine25/12/14 19:00
The tragic story of Mimì and Rodolfo in early nineteenth century Paris, and the unforgettable arias which made La Bohème immortal, have drawn thousands of opera buffs this year too at the renowned Puccini Festival in Tuscany, at Torre del Lago.
Stefano Secco who sings Rodolfo told euronews: “The music, the lyrics, the sets take you to another world… [for me, as a singer,] there’s a sort of letting-go as soon as the music starts. A second before I’m still in the real world, but the moment I hear the music, whoosh, I’m elsewhere!”
Maria Agresta, who portrays Mimi, said: “Mimì is like a little girl, a bit like I was – and still am – but her life turns out to be tragic. She starts in total lightness and freshness, typical of a girl, but she ends up dying. Trying not to think of illness, trying to ignore it and go on living – this is what Mimì does. Mimì is life!
“The most dramatic moments are also the most difficult to interpret because if you are affected by the emotion your throat tightens up and, alas, your throat has to be wide open and unobstructed to be able to sing!”
It is also possible to visit the villa in Torre del Lago where Puccini composed most of his operas. Its magical atmosphere and the memory of this genial composer are preserved by his granddaughter.
“Puccini had an extremely lively personality. He was a dynamic person. The first years that he stayed here he would cycle all the time. He used to go hunting, and fishing. Then the car arrived. He was not a dreamer at all, he was a very active man and he loved new discoveries,” said Simonetta Puccini.
“This was his favourite place, the home of his heart. He loved living here by the lake, ‘his’ lake, even though he was always on the move.
“I sometimes imagine that he appears from behind a tree. Or in these rooms, but maybe he is here.”
Stefano Secco said: “It’s wonderful on stage: it’s a neutral place where one can reveal something of oneself while hiding behind the character; when you sing it’s as if you said to the public: ‘hey, now I’m going to tell you a little about myself!’.”
In this story you can hear excerpts of the following arias from Giacomo Puccini’s La Bohème: “Che gelida manina”, “Mi chiamano Mimì”, “Quando me n’ vò soletta”, “D’onde lieta uscì al tuo grido d’amore”, “Sono andati? Fingevo di dormire”.
Copyright © 2015 euronews