Skip to main content
06/09/12 12:36 CET
Zurich’s Tonhalle Orchestra triumphs on tour28/04 18:08
The enthralling colourful timbres of Dutch violin virtuoso Janine Jansen14/04 18:15
Bryn Terfel as Mussorgsky’s haunted tsar31/03 18:15
Terfel and Pappano – Opera’s dream team31/03 18:14
Two Tchaikovsky masterpieces reunited at Paris Opera17/03 18:35
‘The Nutcracker’ unwrapped as never before17/03 18:34
Shakespeare celebrated at Beirut’s Al Bustan festival03/03 18:16
Music and Shakespeare03/03 18:15
Star countertenor Philippe Jaroussky takes Monte Carlo by storm18/02 18:31
Alcina: Handel’s final lyrical success18/02 18:30
The epic race to the South Pole on the operatic stage04/02 18:30
Journey to the Antarctic04/02 18:29
Philadelphia captivated by Polish Canadian pianist21/01 18:26
‘Maestro Yannick’ and his Philadelphia audience21/01 18:25
Naples Nutcracker shines at Teatro San Carlo07/01 18:54
Backstage at Naples’ Teatro San Carlo07/01 18:50
Kaufmann & Terfel shine in bold “Damnation of Faust”03/01 18:51
A great duo in Paris: Kaufmann and Terfel24/12/15 18:50
Going out on top – Sylvie Guillem’s last dance in Europe10/12/15 19:00
‘Just extraordinary’ – Martha Argerich and the Lucerne Festival Orchestra pay homage to Claudio Abbado26/11/15 19:01
The tragic story of Mimì and Rodolfo in early nineteenth century Paris, and the unforgettable arias which made La Bohème immortal, have drawn thousands of opera buffs this year too at the renowned Puccini Festival in Tuscany, at Torre del Lago.
Stefano Secco who sings Rodolfo told euronews: “The music, the lyrics, the sets take you to another world… [for me, as a singer,] there’s a sort of letting-go as soon as the music starts. A second before I’m still in the real world, but the moment I hear the music, whoosh, I’m elsewhere!”
Maria Agresta, who portrays Mimi, said: “Mimì is like a little girl, a bit like I was – and still am – but her life turns out to be tragic. She starts in total lightness and freshness, typical of a girl, but she ends up dying. Trying not to think of illness, trying to ignore it and go on living – this is what Mimì does. Mimì is life!
“The most dramatic moments are also the most difficult to interpret because if you are affected by the emotion your throat tightens up and, alas, your throat has to be wide open and unobstructed to be able to sing!”
It is also possible to visit the villa in Torre del Lago where Puccini composed most of his operas. Its magical atmosphere and the memory of this genial composer are preserved by his granddaughter.
“Puccini had an extremely lively personality. He was a dynamic person. The first years that he stayed here he would cycle all the time. He used to go hunting, and fishing. Then the car arrived. He was not a dreamer at all, he was a very active man and he loved new discoveries,” said Simonetta Puccini.
“This was his favourite place, the home of his heart. He loved living here by the lake, ‘his’ lake, even though he was always on the move.
“I sometimes imagine that he appears from behind a tree. Or in these rooms, but maybe he is here.”
Stefano Secco said: “It’s wonderful on stage: it’s a neutral place where one can reveal something of oneself while hiding behind the character; when you sing it’s as if you said to the public: ‘hey, now I’m going to tell you a little about myself!’.”
In this story you can hear excerpts of the following arias from Giacomo Puccini’s La Bohème: “Che gelida manina”, “Mi chiamano Mimì”, “Quando me n’ vò soletta”, “D’onde lieta uscì al tuo grido d’amore”, “Sono andati? Fingevo di dormire”.
Copyright © 2016 euronews