Skip to main content
06/09/12 12:36 CET
Florez lights up the stage in Orphée et Eurydice at Covent Garden01/10 19:02
Juan Diego Flórez: conveying Orphée’s pain with style01/10 19:01
Hofesh Shechter: simply dancing01/10 19:00
William Christie’s ‘Musical Gardens’17/09 19:01
In the gardens of William Christie17/09 19:00
Glyndebourne 2015: Danni de Niese revels in Ravel03/09 19:01
Laurent Pelly’s love of British eccentricity at Glyndebourne03/09 19:00
Kaufmann’s dark take on Beethoven at Salzburg Festival20/08 18:01
Jonas Kaufmann’s passion for the unique Salzburg Festival20/08 18:00
Operalia: striking the right note in Covent Garden06/08 18:51
Peter Katona: what makes Operalia unique06/08 18:50
Dudamel’s gift of Beethoven to brotherly Bogota21/07 15:25
Rehearsing with the Simón Bolívar, an orchestra like no other21/07 13:56
Center stage: Operalia at the Royal Opera House21/07 12:01
The art of singing Rossini09/07 19:01
Juan Diego Flórez: A unique bond with La Scala09/07 19:00
Sitting Pretty: rising South African star Yende revels in Don Pasquale role25/06 19:02
The musical journey of Pretty Yende25/06 19:01
Cecilia Bartoli as Gluck’s tragic heroine11/06 19:01
A unique collaboration: Cecilia Bartoli and her duo of directors11/06 19:00
The tragic story of Mimì and Rodolfo in early nineteenth century Paris, and the unforgettable arias which made La Bohème immortal, have drawn thousands of opera buffs this year too at the renowned Puccini Festival in Tuscany, at Torre del Lago.
Stefano Secco who sings Rodolfo told euronews: “The music, the lyrics, the sets take you to another world… [for me, as a singer,] there’s a sort of letting-go as soon as the music starts. A second before I’m still in the real world, but the moment I hear the music, whoosh, I’m elsewhere!”
Maria Agresta, who portrays Mimi, said: “Mimì is like a little girl, a bit like I was – and still am – but her life turns out to be tragic. She starts in total lightness and freshness, typical of a girl, but she ends up dying. Trying not to think of illness, trying to ignore it and go on living – this is what Mimì does. Mimì is life!
“The most dramatic moments are also the most difficult to interpret because if you are affected by the emotion your throat tightens up and, alas, your throat has to be wide open and unobstructed to be able to sing!”
It is also possible to visit the villa in Torre del Lago where Puccini composed most of his operas. Its magical atmosphere and the memory of this genial composer are preserved by his granddaughter.
“Puccini had an extremely lively personality. He was a dynamic person. The first years that he stayed here he would cycle all the time. He used to go hunting, and fishing. Then the car arrived. He was not a dreamer at all, he was a very active man and he loved new discoveries,” said Simonetta Puccini.
“This was his favourite place, the home of his heart. He loved living here by the lake, ‘his’ lake, even though he was always on the move.
“I sometimes imagine that he appears from behind a tree. Or in these rooms, but maybe he is here.”
Stefano Secco said: “It’s wonderful on stage: it’s a neutral place where one can reveal something of oneself while hiding behind the character; when you sing it’s as if you said to the public: ‘hey, now I’m going to tell you a little about myself!’.”
In this story you can hear excerpts of the following arias from Giacomo Puccini’s La Bohème: “Che gelida manina”, “Mi chiamano Mimì”, “Quando me n’ vò soletta”, “D’onde lieta uscì al tuo grido d’amore”, “Sono andati? Fingevo di dormire”.
Copyright © 2015 euronews