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Culture Film of the Week

Cinema

Film of the Week: 'Lee Cronin's The Mummy' - A successful exhumation?

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Cinema

Film of the Week: 'The Bride!’ - MOTHERF*%#ING geometry

Following Guillermo del Toro’s stunning take on Mary Shelley’s “Frankenstein” last year, here comes the bride...

Cinema

Film of the Week: 'Scream 7' - A successful stab at nostalgia?

After a troubled production, original Scream scribe Kevin Williamson and franchise Scream Queen Neve Campbell are back... For better and for worse.

Cinema

Film of the Week: 'Orwell: 2+2=5' - Chilling and indispensable

Raoul Peck takes the words of George Orwell and connects the dots between the writer’s diary entries and present-day totalitarian regimes. The filmmaker signs one of the most urgent and essential documentaries of the 21st century.

Cinema

Film of the Week: “Wuthering Heights”: Horny and vapid take on Brontë

Director Emerald Fennell guts one of the most emotionally violent novels ever written for a surface-level flirtation with corset kink that's as vapid as it is bafflingly tame.

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Cinema

Film of the Week: 'Hamnet' - To weep, or not to weep

The multi-Oscar nominated Hamnet is a moving ode to agonising loss and the possibility that healing can come through art. But you may find the emotions so signposted that your heartstrings feel more yanked than tugged.

Cinema

Film of the Week: 'Marty Supreme' - Dream big, stress big

Timothée Chalamet's star turn as a wannabe table tennis champion serves rollicking anxiety and a dynamic deconstruction of the American Dream.

Cinema

Film of the Week: 'No Other Choice' - Unemployment turns deadly

South Korean director Park Chan-wook's adaptation of Donald Westlake’s novel "The Ax" is an exhilarating jet-black comedy which masterfully skewers the horrors the capitalism. It's a flat-out masterpiece.

Cinema

Film of the Week: 'Father Mother Sister Brother' - Family matters

Jim Jarmusch's Golden Lion winner sees the director return to the anthology film format to better grapple with strained family relationships and explore the unknowability of those we think are closest to us.

Cinema

Film of the Week: 'Avatar: Fire And Ash' - An epic but tiresome rehash

Once again, the visual mastery of the Avatar franchise is undermined by an afterthought of a screenplay that this time boils down to: “Let’s fecklessly rehash the previous film but instead of focusing on water, let’s give fire some screen time. Oh, and a sky beam. Let's add a sky beam.”

Cinema

Film of the Week: 'Wake Up Dead Man: A Knives Out Mystery'

It's three for three in Rian Johnson's whodunit series, with Daniel Craig returning as gentleman sleuth Benoit Blanc for a gothic mystery full of dark humour, topical jabs, and a commanding performance from Josh O’Connor.

Cinema

Film of the Week: 'O último azul' ('The Blue Trail')

Brazil's cinematic output has given audiences some of this year's very best, including 'I'm Still Here' and 'The Secret Agent'. But it all started with Gabriel Mascaro's 'The Blue Trail', which won this year's Silver Bear Grand Jury Prize in Berlin...

Cinema

Film of the Week: 'Love Letters' - A portrait of queer motherhood

Alice Douard's first feature film is a funny, necessary and heartwarming story of both romantic and maternal love.

Cinema

Film of the Week: 'The Thing With Feathers' - Grief with clipped wings

Despite a committed central performance by Benedict Cumberbatch, 'The Thing With Feathers' doesn’t do justice to Max Porter's powerful novella.

Cinema

Euronews Culture's Film of the Week: 'The Running Man'

Edgar Wright's take on Stephen King's 'The Running Man' is frenetic, fun action that lovingly nods to genre tropes - but exhausts itself with muddled tone.

Cinema

Film of the Week: 'Bugonia' - Is Emma Stone an alien?

An absurd, bleakly funny and freakishly timely tale that will delight Lánthimos fans and make you look at CEOs in a very different light. Warning: Flat-Earthers may feel vindicated.

Cinema

Film of the Week: 'Hedda’ - A dazzling tale of freedom and power

Nia DaCosta's 'Hedda', out on Prime Video, is a modern and audacious retelling of Henrik Ibsen's 1891 play, about a disillusioned woman's quest for social and financial advancement.